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Nonthawat Ninlawan (b.1996)

     explores how we perceive the "presence" of things through the act of seeing. He uses familiar subjects such as light, the human body, landscapes, objects, and spaces, blending them with time, memory, installation, painting techniques, and language.

     His work constantly shifts between recognition and uncertainty, presence and absence. He focuses on "what remains" after something changes or fades away, exploring how these silent traces can make a past presence felt once again.

Selected Artworks

Trace of Being:
Contemplation in Emptiness

     Trace of Being: Contemplation in Emptiness explores the conditions through which something appears and is perceived as what it is. The series begins with objects, images, and situations from everyday life, then changes the conditions through which they appear through colour, light, atmosphere, material, context, as well as the relationship between what is visible and what is absent. The series asks “When the conditions of appearance change, how can we still perceive something as what it is, and what allows it to remain what it is to us...

Relatively Light
   แสงสัมพัทธ์ - 
Relatively Light

Relatively Light explores the role of light in making objects appear and become perceptible through painting. The series constructs a landscape in which three conditions of light coexist, natural light from the sky, neon light falling onto the grass, and a sunflower that appears to glow from within itself, without reference to the influence of other light sources in the space...

 I miss(ing) us 4 hours & 54 minutes long 

I miss(ing) us

     “How much can a single pen hold of longing?” This work begins with this question. The artist uses a single ordinary blue-ink pen to write a prose poem across paper and polyethylene terephthalate film. The writing begins at the upper-left corner of the paper and continues toward the lower-right corner for 4 hours and 54 minutes, without stopping and without regard to when the ink will run out...

Da Da Daa
Da Da Daa

       Happiness in overlapping dimensions, brought to life by the mystery of the Datura flower. It draws us into a sprawling trance, halfway between reality and a dream. The hallucinogenic effects of the Datura are used conceptually to gently wash away the exhaustion and sorrow of the real world

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          The color, texture, and scale of Da Da Daa create a realm of peaceful silence. The traces on the artwork express a sense of imperfection, softness, and fragility. This creates a dialogue with its surroundings at the Hua Takhe Old Market community...

Da Da Daa
Blue Sunflower

  Blue Sunflower presents sunflowers in blue under the condition of moonlight. Although the colour and atmosphere differ from our familiar image of the flower, its form remains recognizable as a sunflower. This tension between recognition and unfamiliarity forms the starting point of the work...

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